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the milleduesima Sherazad night - oil on canvas - 150 x 100 cm - Sara Chiaranzelli

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King Solomon (chamber naive) - oil on canvas - 90 x 90 cm - Sara Chiaranzelli

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the irony of Houdini (chamber naive) - Oil on canvas 180 x 90 cm - Sara Chiaranzelli

Room naive. display when held at the Castle of L'Aquila sixteenth day Friday, December 7, 2007. All works have been specially created and donated to a charity auction organized by the Cultural Proaquilaternoque, whose proceeds were donated to the Association L'Aquila for Life , alloy that supports the Department of Oncology San Salvatore of L'Aquila.

http://www.sarachiaranzelli.com/camera%% 20ingenua/galleriacamera 20ingenua.html

The room is a naive look toward the unseen world that that feeds the ironies of everyday dreams and metaphysical applied, dreams, memories and hallucinations simple. It's personal investigation on the multiple interpretations tautological chasing the elementary reality, to the point of view of the look has to go down to the ground to capture the innocence given that usually can only belong to a child. That's how the game illusionist Houdini, which bisects the woman in the box, he lives in the emergence of the hallucination in a pink zebra, already illusory mirage of his robe. The space below a table is altered in Wonderland, and a sonata by Beethoven explores the path beneath a piano. There you will ever untangle the maze of architectural tricks if Arianna decided last of lightly mocking his guides? But it is also the sweet taste of the Madeleine to the mix Marcel Proust's nostalgia show any glimpse of daily life can become as passage of a hypothetical Swann's Way. It 'the sweetness of a little dancer carelessly collected in reflection, the colors and lines synaesthetic change in attitude, similar to the sound of a carillon common. It is the dignity of a musician who is also on land its podium, because so much is the devotion to his instrument which should be imposed with gentility and respect towards all. But it is also the cruelty of a little king with an attitude that misleads naive observer, becoming obedient hand the order of nature. Finally is the Enigma: the sound of silence of the desert, that thirsty questions mystifies the universal meaning of life, but that will never spread of responses and actual packages that do not live in an objective accomplished. sc

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moonlight sonata (chamber naive) - oil on canvas - 90 x 90 cm - will chiaranzelli

Beethoven.

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Swann's Way (Chamber naive) - oil on canvas - 90x90 cm - Sara Chiaranzelli

quote-free-thanks to the great Marcel Proust.

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the face of Arianna (Chamber naive) - oil on canvas - 90 x 90 cm - Sara Chiaranzelli

Arianna is a figure from Greek mythology, daughter of King Minos of Crete and Pasiphae. The
known myth is told in various versions. In one it is said that Ariadne fell in love with Theseus when he came to Crete to kill the Minotaur in the labyrinth. Ariadne gave Theseus a ball of yarn to mark the road traveled in the maze and then come out easily. (...)

From Wikipedia http://it.wikipedia.org/wiki/Arianna_ (mythology )

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fields of saffron (chamber naive) - Oil on canvas - 130 x 90 cm - will chiaranzelli

It 's a tribute to the words of the Supreme The door of terror (the dream) Franco Battiato:

Nothingness adopted the gray stone
and around fields of saffron
passed beautiful women in silks
proud ...

With only 17 words and three-point suspension is able to describe heaven and its mysteries.

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Annunciation - Oil on canvas - 252 x 189 cm - Sara Chiaranzelli

In a context of Sacred Art, whose theme was the Annunciation (Museum of Sacred Art Contemporary Stauros, details given on http://www.sarachiaranzelli.com/galleriamostrastauros.html ) I painted the Madonna as a child that focuses on one point, ignoring all the surrounding context, ignore the posture upset and a little thought patterns, now more than solidified, what is the depiction of the Madonna.

I deliberately mentioned by Antonello da Messina: for me is the absence in the Holy presence. The Angel is not but feel, you can not see but you feel so amplified, perhaps it is even more present to him Mary, because it is manifest through the posture of her and her feelings. Given the context of someone criticized the view of the pants, but for me there is absolutely no irreverent attitude, indeed, that of Mary is a figure whom I love very much. You can depict the Madonna in different ways from the usual thought patterns, or changing posture does not recognize it more as a Madonna?

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A boy enters the elevator and there is an African from the inside impressive tonnage. The doors close and the two stand side by side. The giant black watches him down and spoke to him with a foreign accent: "Six feet, 120 pounds, 40 cm pea balls from a pound each, like Jim Rati."

The boy makes a face and seems about to faint. Then the giant black
grabs him by the shirt and pulls him up like a twig. "Something wrong?" the man asks giant.
"Excuse me, can 'repeat what he said?" asks the other with a weak voice.
"Six feet, 120 pounds, 40 cm pea balls from a pound each, and my name 'Jim Rati."
The boy sighs of relief: "Uffh, thank goodness... .
. . . I understood "Turn around '."

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Olga scraper, I, Paolo and Francesca

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song of nostalgia - oil on canvas - 120 x 110 cm - will chiaranzelli

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break the clown - oil on canvas - 140 x 90 cm - will chiaranzelli

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Eve - oil on canvas - 130 x 110 cm - will chiaranzelli

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the Minotaur of the trans - oil on canvas - 84 x 84 cm - will chiaranzelli

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Identity and violence

"My first contact with the murder occurred at the age of eleven. It was 1944, during clashes between Hindus and Muslims who have gone before Indian independence. Kader Mia was a Muslim, and the ruthless criminals who had attacked the Hindus was the only important identity. The sectarian violence is no less crude. It is a gross brutality that is based on a conceptual confusion about the identity of individuals, capable of transforming human beings multidimensional creatures in a single dimension. "

"The identity can also kill, kill with transportation." In the new book by Amartya Sen's vision of a world that enlightening, directed toward the practice of confrontation and violence, can still correct its course.

Read it, it's really enlightening.

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if I had no fear of being denounced, there I would have gladly told the story of a baroness ...

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now no longer speak of world of art, but art system. what you think of the heritage of the 80s?

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Quiete Last - Beethoven's Ninth Symphony. It is not the automatic staff that keeps us alive, but the impulse of passion that permeates and radiates to the end of our smaller liminary thresholds. It does not matter if they are deaf or blind, the passion of genius extends, is mixed with the neglect that does not explain, and generates monsters. Beethoven composed the Ninth Symphony without hearing aids, but only under the hand of a nymph Echo completely mental. Shocked, sad and helpless we are penetrated by the masterpiece of one who has succeeded to drink straight from the mouth of Mother Art. The notes of love and touch shake and sing the throes of the malaise that accompanies man in his life path in evolution, until the time before death. We are all aimed at the odyssey final song, a hymn to joy, peace after the last storm.

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Dedicated to Gino De Dominicis.

The perfect balance is a second tangent to their breaking points. It supports the irony and the laws of physics, time and space. It seems difficult, and instead is a key to snap that can open the door of oblivion.

concentric worlds interact with each other directly proportional law: so if the metal is gold, so the death is immortality.

death, mocked, laid down a green carpet of silence, but the paradox has moved to union with the eternal, and everything that can not be more alive and present.

He sold his soul! - They scream, and instead is just a hoax from the dead, and his laughter echoes metal top.

Gino De Dominicis The teacher taught me so much. Too bad that when we met he had been dead for a while.