Annunciation - Oil on canvas - 252 x 189 cm - Sara Chiaranzelli In a context of Sacred Art, whose theme was the Annunciation (Museum of Sacred Art Contemporary Stauros, details given on http://www.sarachiaranzelli.com/galleriamostrastauros.html ) I painted the Madonna as a child that focuses on one point, ignoring all the surrounding context, ignore the posture upset and a little thought patterns, now more than solidified, what is the depiction of the Madonna.
I deliberately mentioned by Antonello da Messina: for me is the absence in the Holy presence. The Angel is not but feel, you can not see but you feel so amplified, perhaps it is even more present to him Mary, because it is manifest through the posture of her and her feelings. Given the context of someone criticized the view of the pants, but for me there is absolutely no irreverent attitude, indeed, that of Mary is a figure whom I love very much. You can depict the Madonna in different ways from the usual thought patterns, or changing posture does not recognize it more as a Madonna?
